Photos of Rubblebucket at 2021 UTOPIAFest in Utopia, TX
Photos of Rubblebucket at SummerStage in Central Park in New York, NY on August 8th, 2019
Photos of Rubblebucket at 2018 UTOPIAFest
Photos of Rubblebucket at 2015 Gentlemen of the Road Stopover in Waverly, IA
Photos of Rubblebucket at ExitRoom Gallery in Brooklyn, NY on May 3rd, 2014
Photos of Rubblebucket at 2014 CounterPoint Music Festival in Rome, GA
Photos of Rubblebucket at The Bishop in Bloomington, IN on October 8th, 2013
Photos of Rubblebucket at 2012 Camp Bisco in Mariaville, NY
Photos of Rubblebucket at 2012 High Sierra Music Festival in Quincy, CA
Photos of Rubblebucket at 2012 Wakarusa Festival in Ozark, AR
Rubblebucket have long been an odd but accessible, or just oddly accessible, act. Their dance moves are catchy, yet they’re weird like a ska band (they do have a horn section). They’ve eschewed the easy catch for the deeper cut. Sun Machine shows them in all their glory.
Written after the romantic break-up of main members Kalmia Traver and Alex Toth, Sun Machine still manages to be both smooth and cheery, without just being another lightweight dance record. Pieces like “Donna” and the cool “Lemonade” get the toes tapping, but even “Party Like Your Heart Hurts” and “Inner Cry” are great party-dance that aren’t just party-dance. There are also lower-key moments on the album, such as “Sunlit Sparks (I Won’t Break You)”, though the release didn’t need the interstitial ‘sounding high’ spoken recordings “AURATALK”, “VANTALK”, and “HURTTALK” (which are fine on first listen, but wear out quickly on repeated spins).
In a certain world, maybe a more just world, Rubblebucket would be a big dance-pop act with the kids & more. But that’s not what they’re shooting for.