Photos of Titus Andronicus at House of Vans in Brooklyn, NY on August 16th, 2012
Photos of Titus Andronicus at SXSW 2012 in Austin, TX
Photos of Titus Andronicus at 2011 POPPED! Festival in Philadelphia, PA
Photos of Titus Andronicus at 2011 4knots Festival in New York, NY
Photos of Titus Andronicus at 2011 80/35 Festival in Des Moines, IA
Photos of Titus Andronicus at CMJ 2010 in New York, NY
Photos of Titus Andronicus at MFNW 2010 in Portland, OR
Photos of Titus Andronicus at SXSW 2010
Photos of Titus Andronicus at Glasslands in Brooklyn, NY on July 9th, 2009
Photos of Titus Andronicus at SXSW 2009
Photos of Titus Andronicus at Bowery Ballroom in New York, NY on February 15th, 2009
Photos of Titus Andronicus at McCarren Park Pool in Brooklyn, NY on August 24th, 2008
With the success of workingman’s punk and garage-rock, it was only a matter of time before New Jersey’s Titus Andronicus got some success, and that happened after 2010’s The Monitor (QRO review). For follow-up Local Business, the band has gone bigger – but not necessarily better, abandoning much of the Americana rock that made The Monitor so great.
Note that this doesn’t apply to opener “Ecce Homo”, a working class anthem “from the Atlantic to the Pacific”. “Ecce” seems to promise another rollicking-but-interesting time from Titus, but then the band gets simpler in tracks like the following “Still Life With Hot Deuce and Silver Platter”, “My Eating Disorder”, and others. What’s more, while the group was able to make long songs work on The Monitor (from 7:09 minute opener “A More Perfect Union” to 14:02 closer “The Battle of Hampton Roads”), on Local Business the lengthy ones just seem to go on & on. Indeed, the enjoyable (if still simple) diner-garage party “Eating” shifts into grind for far too much of its 8:12 minutes. Similarly, the pressure to “Still Life” and wistful rock to “In a Small Body” lose steam. Contrastingly, there’s energy to spare in shorter songs like motorcycle gang instrumental “Food Fight!” and the swaying rock of “(I Am the) Electric Man”.
Titus Andronicus saw a lot of personnel changes last year, to the point where only singer/guitarist Patrick Stickles and drummer Eric Harm still remain from The Monitor. Their live show (QRO photos) has kept up their energy, but perhaps the group has been a little too influenced by the less ambitious Brooklyn party-garage scene, and strayed away from their more original Garden State roots.