Photos of Feist at Radius in Chicago, IL on May 5th, 2023
QRO’s review of Feist at Town Hall in New York, NY on June 12th, 2023
Photos of Feist at 2017 Eaux Claires in Eau Claires, WI
Photos of Feist at 2013 Arts & Crafts Field Trip Festival in Toronto, ON, Canada
Photos of Feist at 2013 Governors Ball in New York, NY
Photos of Feist at 2012 Sasquatch! in George, WA
Photos of Feist at Stubb’s in Austin, TX on April 26th, 2012
QRO’s review of Feist at Brooklyn Academy of Music in Brooklyn, NY on November 2nd, 2011
QRO’s review of Feist at Hammerstein Ballroom in New York, NY on April 30th, 2008

Though Leslie Feist came up in the Canadian Invasion of the aughts, and had a hit iPod commercial song in “1234”, all of that was a long time ago, and she’s since become more of an intimate auteur, taking her time with carefully crafted records. That continues with Multitudes, and even if it isn’t the amazing Feist you cried to more than once, it is another special release.
The key to much of Multitudes is Feist embracing hope, starting with the glowing opener “In Lightning”. Even as she strips down her sound throughout most of the album, it’s not in sorrow but rather a world-wise, earned hope, such as on the charming folk of “The Redwing”. There are moments where she goes for a bigger, weirder sound that perhaps one would have wanted more of, like “I Took All of My Rings Off” and particularly the fuzzier intimacy of the penultimate “Calling All the Gods”. But even the closing “Song For Sad Friends” encourages people not to deny their sadness, but be who they are.
Leslie Feist has long become a true artiste in the non-ironic sense of the word, veering away from pop stardom and towards her own intimate echo. And now veering into the hope of Multitudes.