Photos of Death Cab for Cutie at Jannus Live in St. Petersburg, FL on January 31st, 2023
Photos of Death Cab for Cutie at 2022 Austin City Limits Festival in Austin, TX
Photos of Death Cab for Cutie at Rabbit Rabbit in Asheville, NC on October 7th, 2022
Photos of Death Cab for Cutie at 2022 All In Festival in Indianapolis, IN
Photos of Death Cab for Cutie at ArtPark in Lewiston, NY on July 11th, 2022
Photos of Death Cab for Cutie at Coca Cola Roxy in Atlanta, GA on October 19th, 2018
Photos of Death Cab for Cutie at 2016 Riot Fest in Chicago, IL
Photos of Death Cab for Cutie at 2015 NOS Primavera Sound in Oporto, Portugal
Photos of Death Cab For Cutie at 2014 Boston Calling in Boston, MA
Photos of Death Cab For Cutie at 2012 80/35 Festival in Des Moines, IA
Photos of Death Cab For Cutie at 2012 Primavera Sound in Barcelona, Spain
Photos of Death Cab For Cutie at Austin Music Hall in Austin, TX on October 11th, 2011

In the early, crazy, terrifying, bewildering days of the pandemic, one of the few things indie-rock fans could count on were the daily livestreams by Benjamin Gibbard of Death Cab for Cutie. As the pandemic shifted (and many others got in on the livestream game), those streams shifted to weekly until they ended entirely, for Gibbard had to get back to making the new Death Cab record that the pandemic had halted. Now Asphalt Meadows is here, and it’s another wonderful release from an increasingly reliably great band.
All the hallmarks that made Seth Cohen fall in love with Death Cab back when are here on Meadows. There’s the great slow emotional explosion of “Roman Candles” (QRO review), followed by the reaching Death Cab needs of the title track. There’s the band’s killer pressing but thoughtful side in “Here to Forever” and “I Miss Strangers”. Of course, Gibbard could make a love song about a “Rand McNally” atlas. And it ends with the sweet hope of “I’ll Never Give Up On You”.
When so much has changed, so much we relied on has become questionable (Gibbard also had a pandemic moment when he advocated against the destabilization of the postal service), it’s just wonderful that Death Cab for Cutie has become such a mainstream in alternative excellence.