Photos of Cursive at 2016 Sound On Sound Fest in Austin, TX
Photos of Cursive at The Waiting Room in Omaha, NE on December 5th, 2013
Photos of Cursive at 2012 Fun Fun Fun Fest in Austin, TX
QRO’s review of Cursive at House of Vans in Brooklyn, NY on August 12th, 2012
Photos of Cursive at 2012 Osheaga Music Festival in Montreal, PQ, Canada
QRO’s review of Cursive at Brudenell Social Club in Leeds, U.K. on June 9th, 2012
Photos of Cursive at Nokia Theatre in New York, NY on March 12th, 2010
Photos of Cursive at Maxwell’s in Hoboken, NJ on August 6th, 2009
Photos of Cursive at SXSW 2009
QRO’s review of Cursive at Bowery Ballroom in New York, NY ono March 10th, 2009
Nebraska’s Cursive have long occupied a rather unusual spot, somewhere between indie, hardcore, and even math-rock. That has made them something of a ‘cult’ band, with a loyal following, and in 2012 did the ultimate ‘cult band’ thing, a concept album, the poor I Am Gemini (QRO review). Thankfully the band plays it more straightforward, if angry, with Vitriola.
From the aggressive stop-start of opener “Free To Be Or Not To Be You And Me” to the extended dark finish “Noble Soldier / Dystopian Lament”, Vitriola is a crashing, near-apocalyptic record. Indeed, “Picking Up the Pieces” is truly ‘end is nigh,’ while “Ouroboros” see the world’s rise/fall/repeat as a full circle. Interestingly, the more ‘concept’ songs like “Ouroboros” and anti-immortality “Everending” are the more memorable and compelling pieces on the album, showing that the band can do ‘concept.’
While not quite matching 2009’s Mama, I’m Swollen (QRO review), as the new record perhaps leans too hard on the relentless, Vitriola presses forward.